You are a soloist, or a music director of an ensemble or an orchestra and you realize that playing Brahms and Beethoven is not going to set you apart from the crowd

You are an artist in another field looking to complement your project and you know that canned music just doesn’t fit your creative vision

You are a patron who wants to leave a lasting legacy through funding the creation of art, but you have learned that navigating through arts organizations is daunting

You could search for new music on the internet, hoping to find something to align with your ideas, knowing full well that it will be like wearing second-hand clothes


You could commission me to compose new music celebrating our place and moment in history.

Let’s start the conversation.


What does it mean to commission a composer?

It means to hire a composer to compose an original piece of music.

Why is it important to commission new music while there has been so much music written over the past centuries?

How is our generation to express itself and how is it to be remembered if all we do is rehash the past? Should contemporary builders limit themselves to copying Frank Lloyd Wright designs? Should filmmakers keep on remaking Charlie Chaplin silent movies? Should painters make copies of the Girl with a Pearl Earring? While the past artists gave us an understanding of our historical context and developed the tools and techniques of the craft, we, the contemporaries, have the duty to speak with our own voice to create the modern world around us and to interact with it.

Who can commission new music?

A soloist who wishes to expand the repertoire of his or her instrument and to add gravitas to their career. A music director who seeks new repertoire for his or her ensemble. An artist in another field who wishes to add a musical dimension to his or her project. A patron who seeks to build a personal legacy in supporting contemporary art. A sponsor who wishes to build awareness and clout for their brand among artists and their audience.

I have a general idea about the music I would like to commission but I’m not sure about the details yet. Should I contact you?

Yes, the sooner, the better. A seed of an idea has powerful potential.

What is your working style?

My working style involves long term planning, pacing myself through various projects, and creating an emotional and physical environment conducive to the optimal intellectual and artistic output. I work during the day and am protective about my schedule and creative space. I work deliberately and methodically. The art of music composition is a strenuous intellectual process requiring maximum concentration and clarity of mind. When the circumstances are right, I often experience flashes of unexplained insight outside of my working studio and have to notate new ideas on scraps of paper or an audio recorder. Music is a mysterious medium requiring patience, humility, and readiness.

How long will it take for you to compose the music?

It depends on the complexity and length of the piece, as well as external circumstances and the current projects I am working on. I recommend contacting me at least several months in advance. It is not unheard of to plan projects several years in advance.

What does the commissioning contract specify?

It specifies the scope of the composition, the time allotted for preparation of the score and parts, the terms of the payment, the authorship and publishing rights, the rights to the premiere, subsequent performances, and recording.

How is the commissioning party or the patron recognized in the finished composition?

The names of the commissioning party or the patron (or both) are permanently engraved into the score’s opening page in the dedication section and in the music program notes, with a phrase such as: “For Jane Smith”, or “Commissioned by ABC Foundation”, or “In Celebration of the Important Event”. These inscriptions communicate to the performers and the audience who is to be recognized for the existence of the musical work, thus creating a lasting cultural and historic legacy.

What are the legal prerequisites in setting text to music?

The publisher must grant the composer a right to do so, in writing.

How much does it cost to commission new music?

It depends on the complexity and length of the music commissioned. Please contact me with your ideas and I will give you a general estimate of time and cost involved.

I am a patron and do not have a specific project in mind. Can I still support the creation of your music?

Of course. You can be the sole or partial patron of my current projects that seek funding. This can be done publicly or anonymously. Please contact me about the details.

Can I use your existing music in my project?

All uses of my existing music in any project, whether for profit or without profit, require licensing. You can purchase a license by contacting me directly.

"A powerful soundtrack composed by Roberto David Rusconi opens by setting an ethereal, monastic atmosphere and climbs to a cacophony to accompany the beastly acts of Odysseus and his men."

Kirke review by Richard Trinder, Yorkshire Times, October 2018

"Roberto Rusconi's music is an exciting range of melody, ambient sound, spoken French text and menacing other-wordy effects, like an intimation of birdsong or the strident breathing of a dinosaur. The connection between the musical and choreographic texts is intimate and complementary: Monin and Rusconi are real finds!"

Calyx review by Mike Dixon, Dance Europe March 2017

"The music is revealed strong, as Rusconi develops in a circular resonant space and goes beyond the traditional ‘frontal’ listening experience, creating an atmosphere of total auditory participation of the public."

Review by Alessandro Cammarano, LE SALON MUSICAL, January 2019

"Rusconi’s opera convinces and seizes due to its constant calls to the symbolic depth of Greek literature, offering the audience a contemporary opera experience, but with a strong tie to classical theatre."

Review by Alice Nardelli, Il Dolomiti, January 2019